Realize I have been posting very little of my own art of late. I'm always meaning to get better pics, sign or watermark, list for sale, blah, blah, blah... so post very little. BUT I have been creating like crazy, mostly on blank playing cards, and involving stamp collage. I'm in the ACEO arena here, and will probably sell as such on eBay soon. Might even dust off my old Etsy store. But, for now, creating and not worrying about all that.
Friday, July 31, 2020
Recent art
Realize I have been posting very little of my own art of late. I'm always meaning to get better pics, sign or watermark, list for sale, blah, blah, blah... so post very little. BUT I have been creating like crazy, mostly on blank playing cards, and involving stamp collage. I'm in the ACEO arena here, and will probably sell as such on eBay soon. Might even dust off my old Etsy store. But, for now, creating and not worrying about all that.
Saturday, July 18, 2020
The Artists Documentation Program
I have always been fascinated by the work of art conservators, so this captured my attention. It was mentioned briefly in a podcast or radio program (I forget which), but I did manage to jot down the program name to it look up.
Artists Documentation Program (ADP) - official website (interview video access)
Artist Documentation Program - Menil Collection (since 1990) - International Network for the Conservation of Contemporary Art (INCCA) blog
Conservators of contemporary art face unique challenges. Unlike old masters, contemporary works are often materially ephemeral, time-based, interactive, or conceptual. In restoring these works, conservators rely heavily on documentation of an artist’s materials, techniques, and intent, frequently needing to consult the artist directly. When an artist is no longer living, the available information can become quite scarce.
To address this problem, conservator Carol Mancusi-Ungaro conceived of the Artists Documentation Program (ADP), in which conservators interview artists in the presence of their artworks, in order to understand their materials and techniques. The ADP creates a lasting record of an artist’s attitudes toward restoration and exhibition of their works–a “living will” for their work. Founded at the Menil in 1990, with support from The Andrew W. Mellon Foundation..." [continue reading on the ADP website].
Artists Documentation Program (ADP) - official website (interview video access)
Artist Documentation Program - Menil Collection (since 1990) - International Network for the Conservation of Contemporary Art (INCCA) blog
Labels:
ADP,
art conservation,
Artists Documentation Program,
conservator,
Mellon,
Menil
Wednesday, July 15, 2020
The Roll Call: Lady Butler's first
This week I learned about an artwork with an interesting history that otherwise would have passed me by, thanks to Malcolm Gladwell's podcast.
The Roll Call (officially Calling the Roll After An Engagement, Crimea), an 1874 oil-on-canvas painting by Elizabeth Thompson Butler (Lady Butler) was a first, depicting army forces exhausted and depleted after a battle. At the time, soldiers were only portrayed pre-battle, pristinely groomed and brave. This little-known female artist changed all that.
Thompson was just 26 years old when she submitted the painting to the Royal Academy, and it was an instant hit. Butler wrote that she awoke and "found myself famous". Queen Victoria insisted that she should buy it, and the work remains in the Royal Collection, hidden from public view.
In the inaugural episode of his popular podcast, Revisionist History, Malcolm Gladwell visited the painting in London and shared his learnings. In particular, Gladwell explores the 'first' nature of the work, and the fact that the artist has remained largely unknown. It's a good listen.
The Lady Vanishes - Revisionist History episode
The Roll Call (officially Calling the Roll After An Engagement, Crimea), an 1874 oil-on-canvas painting by Elizabeth Thompson Butler (Lady Butler) was a first, depicting army forces exhausted and depleted after a battle. At the time, soldiers were only portrayed pre-battle, pristinely groomed and brave. This little-known female artist changed all that.
Thompson was just 26 years old when she submitted the painting to the Royal Academy, and it was an instant hit. Butler wrote that she awoke and "found myself famous". Queen Victoria insisted that she should buy it, and the work remains in the Royal Collection, hidden from public view.
In the inaugural episode of his popular podcast, Revisionist History, Malcolm Gladwell visited the painting in London and shared his learnings. In particular, Gladwell explores the 'first' nature of the work, and the fact that the artist has remained largely unknown. It's a good listen.
The Lady Vanishes - Revisionist History episode
Sunday, July 12, 2020
Bullockornis
For a couple of weeks I have had a Post-It Note with the word "Bullockornis" written on it, waiting for my attention. A co-worker had used the word in out internal chat system, and I answered "?". He said Google it. So today I did...
Bullockornis planei, nicknamed the demon-duck of doom or thunderduck, is an extinct flightless bird that lived in the Middle Miocene, approximately 15 million years ago, in what is now Australia.
Bullockornis stood approximately 2.5 metres (8 ft 2 in) tall, and weighed up to 250 kg (550 lb). The size of Bullockornis' skull (larger than a small horse), and its very large beak, once led to speculation that the bird may have been carnivorous. Most currently agree that it was a herbivore, related to geese and ducks. This, in addition to the bird's tremendous size and earlier misclassification as a carnivore, gave rise to its colourful nickname.
Bullockornis ("Bullock Bird") - Australia: The Land Where Time Began
Bullockornis ("Ox Bird") - Prehistoric Wildlife
This image from Dinopedia is a contradiction... as this presumably ferocious giant bird looks almost cute |
Bullockornis stood approximately 2.5 metres (8 ft 2 in) tall, and weighed up to 250 kg (550 lb). The size of Bullockornis' skull (larger than a small horse), and its very large beak, once led to speculation that the bird may have been carnivorous. Most currently agree that it was a herbivore, related to geese and ducks. This, in addition to the bird's tremendous size and earlier misclassification as a carnivore, gave rise to its colourful nickname.
Although the name actually means 'ox bird', Bullockornis is better known in popular culture as the 'Demon duck of doom'... Although Bullockornis was without doubt a large bird, it was not named for being the size of an ox but instead for being discovered in Bullock Creek... [continue reading on Prehistoric Wildlife]
Bullockornis ("Bullock Bird") - Australia: The Land Where Time Began
Bullockornis ("Ox Bird") - Prehistoric Wildlife
Labels:
Australia,
Bulluckornis,
demon duck,
demon duck of doom,
extinct,
flightless,
ox bird,
prehistoric,
thunderduck,
wildlife
Friday, July 10, 2020
In praise of Conestoga Huts
I was inspired by a CBC Radio All Points West interview today to Google 'conestoga hut'. The interview was with a British Columbian behind an initiative to bring an innovative homeless solution from Eugene, Oregon to the province. As a person whose heart is heavy with the lack of action to end homelessness, I'm impressed and inspired. A few pics and and links...
Conestoga Huts: Cost-Effective and Durable Micro-Shelters - Community Supported Shelters
Safe Spot Communities: Simple Shelter + Peer-Support = Stability - Community Supported Shelters
CSS Resident Stories - Community Supported Shelters
Erik and Fay de Buhr on life in a Hut: “We love small spaces.” - Community Supported Shelters
Erik de Buhr builds huts for the homeless – but eventually gives them a 'loving shove' - Christian Science Monitor
Conestoga Huts: Cost-Effective and Durable Micro-Shelters - Community Supported Shelters
Safe Spot Communities: Simple Shelter + Peer-Support = Stability - Community Supported Shelters
CSS Resident Stories - Community Supported Shelters
Erik and Fay de Buhr on life in a Hut: “We love small spaces.” - Community Supported Shelters
Erik de Buhr builds huts for the homeless – but eventually gives them a 'loving shove' - Christian Science Monitor
Labels:
community,
compassion,
Contestoga Hut,
Eugene,
heart,
homeless,
homelessness,
tiny home
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